Perfect Disguise Review (Houston Press)

By Marc A. Price • April 10, 2008

Perfect Disguise received a glowing review from the Houston Press. Here is it is below:

The Contrast, Perfect Disguise: Introducing the Contrast (Wicked Cool Records)

This guitar-worshipping quartet released their first full-length on Rainbow Quartz in 2000, a year or so after forming, and have studiously submitted four albums since then. Perfect Disguise culls from the first four and adds a few new and unreleased tracks for good measure.

The Contrast are not a group likely to make you sell all of your worldly possessions and pursue the RocknRoll Life, but they will serve to remind you that there’s a lot of good music that goes years without getting any sort of the attention it deserves.

If you don’t like big guitars, this band is not yours. There are driving leads (“Mask”) and rhythm growls straight out of Fables of the Reconstruction (“Can’t Stand the Light”) and the melodies soar, even when melancholia takes the wheel. Towering choruses are the modus operandi, but nothing ever seems to eclipse David Reid’s lyrics. While it would be unfair to compare Reid to Peter Case or Paul Westerberg – they are three distinct writers with distinct gifts – his lyrics tend to recall a less bitter Westerberg, conveying the same palpable disgust of the teenage wasteland and all of its perpetrators.

No single territory of Reid’s vocal range goes unexplored, and his tone is clean without sounding trained, which is emblematic of the band itself. The Contrast are unabashed pop-smiths, not as calculated as Spoon and closer to REM than Big Star (the REM comparison is obvious but unavoidable) with a more an adequate tutelage of Plimsouls style. They have the sound they want, lean into it all the way, and their refined instincts keep the canvas from wearing thin. They may not blow your mind, but they’ll serve as a reminder that rocking pop music is always scratching at the dismal surface of the mainstream.

The Contrast could be the first great 21st century power-pop band, and with any luck, this compilation will help them reach the audience who are going to feel a little cheated when they find that the great new music they’ve been waiting for has been waiting for them since the turn of the millennium. – Chris Henderson

houstonpress.com
http://blogs.houstonpress.com/rocks/2008/04/reverberations_amplified_heat.php